#6: Muted the plugins that were left in bus 1-2 (used with the stereo output) #5: Selected multi-channel and assigned the buses to the out-buses accordingly. #4: Ran post-fader sends from the rest of the buses to this new bus. #3: Instantiated a copy of each plug on the new bus, setting each one to itРІР‚в„ўs preset I had just saved. #1: Saved each bus 1-2 effect as a user preset. The SD3 preset had lots of outbus FX going on. I tackled the issue like this on a small bit I was doing. It sounds obvious and matches reality, but then getting a multi-channel output bounce to match a stereo bounce becomes a nightmare. This has not always been the case, has it? I swear IРІР‚в„ўve not run into this in the 2.X versions. If I was to switch from stereo to multi-channel, any FX on the output bus 1-2 will only apply to whatever is going to end up going through bus 1-2. This will also make it easier to know whatРІР‚в„ўs what when you have Bounced, since the file name then will be something like РІР‚ВOut_KickРІР‚в„ў, РІР‚ВOut_SnareРІР‚в„ў, etc. I would also rename the Output Faders to what is Bussed there, e.g. So, route all faders and/or Busses you wish to have as separate Audio files to their own Output in the SD3 Mixer before you Bounce.

Then you either route this Reverb Bus to the Master or a separate output. Perhaps you are also Sending to an FX Bus, like a Reverb? on an instrument, the most logical thing would be to Bounce at the end of the chain, right?Р”В«ouncing per fader or even at the Sub group Bus would not yield the same audible result as Bouncing the Output in this scenario. So, when you Bounce and want your EQ, Filters, Compression, Saturation, etc. This Master Fader processing will react differently if there is a lot of instruments hitting it than if you solo e.g. The Master Fader perhaps also has some kind of processing to add to the final sound. These mic faders, with perhaps EQ and Comp on each, would most likely be Bussed to a Sub group Bus with additional processing before being routed to the Master Fader and output.

your standard mixer setup would be more than 1 microphone for Kick and Snare, right? Well, if you do not want to Bounce per microphone, pre-mixer, you can only Bounce per Mixer output.

Midi drum track separator